I frequently get asked: “Why do you use flash for outdoor portraits?” There are a ton of variables that I evaluate before starting a photo shoot. But paramount to them all is the QUALITY of the lighting. Whenever possible, I seek out beautiful natural light. For outdoor portraits, “open shade” is one of my favorites to work with. For indoor portraits, I look for soft “window light” to work with. But when the location is surrounded by trees, creating a gloomy greenish-blue color cast to the light, I pull out the flashes. If I don’t have beautiful natural light to work with, I create my own with speedlights!
That’s what happened in this photo session at the Charleston Center for Birds of Prey. In the first test-shot, you can see how muddy and unflattering the natural light is. Because we were in a clearing surrounded by trees, the only available light is coming from directly above Angelina, creating those sunken “racoon eyes” and a hotspot on her nose. So I mounted a Flashpoint eVolve 200 Pro in a large softbox on a Manfrotto light-stand, and placed it about 30-decgrees off to her left (the camera’s right). This gave me a fantastic directional main light, which created a soft contour to her face, cleaned up the skin color, and produced a nice catch-light in the eyes. Then I mounted a Flashpoint Zoom LiOn II on another Manfrotto light-stand, and covered it with a CTO (Color Temperature Orange) gel, which mimicks the color-balance of the late-afternoon setting sun. This speedlight was positioned behind the subject, aimed at the back of her hair, in a cross-light pattern opposite the main light. The result is a warm rim-light, which gave a golden glow to her beautiful hair, and helped separate her from the background.
Now that I had the lighting the way I wanted it, I mounted the Nikon Zf with the 70-200 f2.8 Z lens and a Flashpoint wireless trigger on a Manfrotto tripod…and the rest is magic!!!
The nice part about using this lighting setup is that it’s consistant and repeatable! Next time I show up to photograph a new staff member, whether it’s an overcast day or a bright sunny day, it doesn’t matter…the light hitting my subject will always be the same.
