Speedlight Sunset

I love photographing on overcast days. The light is soft, the colors are saturated, and the subjects don’t squint as much. But sometimes the images come out a little flat and lack impact…kinda just blah. Fortunately, I have a great little tip to keep all the benefits of the soft natural light, but add a little extra POP back into the image.

Here’s a little technique I call “Speedlight Sunset”. My preferred setup is to work with 2 or 3 speedlights mounted together on my home-made triple-threat flash bracket. Having multiple flashes ganged together provides me with extra power, directionality, and versatility when needed. But you can definitely do this with just one speedlight as well.

Instead of using your wireless off-camera flash as a fill or main light, place it far back behind your subject in the corner of the frame. For best effect, I try to have it shining through a background element like some low-hanging leaves or a clump of Spanish moss. This serves to obscure the true source of the light, and also defuse the quality of the light so that it looks more like the real thing. For best effect, you should also add a CTO gel over the flash. Also known as Color Temperature Orange, this piece of plastic changes the color of the light source to a deep warm tone, like that of a setting sun.

I prefer to trigger my wireless off-camera flashes with radio waves. Nikon’s built in Creative Lighting System is free and will do the job up to a certain distance as long as the Master flash and the Remote flash can see each other. But to place your flash further distances away, or hide it behind leaves and trees, you’ll need a radio triggering system. I sometimes use RadioPoppers to trigger my older Nikon SB-800 flashes. PocketWizard is another great solution that’s out there. But with the new Nikon D5 (as in this case) and Nikon D500 cameras, I can remotely trigger my Nikon SB-5000 flashes via the built-in AWL (Advanced Wireless Technology). I just plug in the WR-R10 Remote Controller, and away we go!

Many thanks to Kelli and Tom for being so much fun to work with on their beautiful maternity shoot.  Check out more of their images and see more samples of this Speedlight Sunset at:  https://chrisandcami.com/kelli-tom-at-hampton-park/.

I hope this helps open up some ideas and possibilities for taking your images to the next level. Speedlights are small, light, and portable. But they can make a HUGE difference in the quality and creativity of your images!

Light Bending 411 Encore

I’ve been getting such WONDERFUL feedback from the Wireless Lighting Workshops I’ve been teaching.  THANK YOU to everyone that has participated and made it such a success.  I’ll be teaching my “Light Bending 411” course again on November 6th!  I’ve been asked by The Aroostook F-Stops, an extremely active photography club in northern Maine, to come do a full-day program for them.  The club’s fearless leader, Tom, has been so organized and fun to work with.  His wife is a fellow alumni from The American School of Kinshasa (TASOK)…so we’ll have lots of catching up to do!  Since Cami spent several summers in Maine and has many fond memories from this beautiful part of the country, we’ll be going up early and taking some much anticipated R&R.  We’ll fly into Portland and wind our way up to Aroostook, hiking and sightseeing in places like Acadia National Park, and staying in quaint B&B’s along the way.  I’m truly excited and look forward to sharing my enthusiasm with these wonderfully talented photographers in Maine!!!

Cotton Dock Remote

Last weekend I had the privilege of photographing Heather & Josh’s wedding at Boone Hall Plantation for our good friends Bill & Kelli Nixon.  The ceremony was held at the rustic Cotton Dock.  What a cool venue for a wedding!  I arrived early, as usual, and noticed the decorators were draping these long, silky, white sheets over the huge wooden rafters.  Seeing those rafters gave me the idea to mount a remote camera from one of the rafters to get this cool angle.  In the first photo you can see the D300 with 10.5mm Fisheye super-clamped to the rafter looking strait down.  The second shot is an image from the remote camera, which I fired with a set of PocketWizards.  Fun Stuff!!! 

RadioPoppers & PocketWizards, Oh My!

My good friend and fellow photographer, Robbin Knight, was covering Lisa & Justin’s wedding with me last weekend.  (www.chrisandcami.com/blog).  Like me, he’s another big fan of using every trick of the trade, including wireless technology, to cover all the angles and get our clients something unique and different.  So between us we had as many as 8 remote Nikon SB-800 strobes AND a remote Nikon D300 firing at the SAME TIME!!!  The strobes were being fired via RadioPoppers and the D300 was being fired via PocketWizards.  

For our bird’s eye view of Lisa & Justin’s Horah, Robbin used his 96” ShureLine pole, normally used to hold a remote flash, but that we had modified to hold my D300 with a 10.5mm fisheye.  He triggered the camera with a PocketWizard, which fired the on-camera SB-800, which told the RadioPopper to fire all the remote SB-800s.  Meanwhile, there I am in the crowd getting the “inside” view with my Nikon D3/14-24mm combo, triggering the same remote flashes via a RadioPopper mounted on my SB-900. 

It’s always so much fun working with Robbin.  We had a BLAST!!!  Plus Lisa & Justin couldn’t have been more fun to work with…