Earlier this week I got to work with some of my favorite corporate clients at Colliers Keenan.  They’re doing some re-branding and decided to make all new headshots using a high-key white background.  I lit them with a single giant softbox and placed a reflector on the oposite side to open up the shadows.  The background was placed about 8 feet behind my subject and lit separately with an umbrella on each side.  I’ve found that when shooting high-key, it’s very important to light the background separately from the subject to really keep those whites clean and bright!